10 Years of ARTiculation
‘ARTiculation is changing the future of British art criticism for the best’ – Antony Gormley
This year we are delighted to be celebrating ARTiculation’s tenth anniversary. In 2016 over 4,000 young people participated in ARTiculation. Our continuing success and expansion is due to the ongoing support of funders, partners, adjudicators, schools, teachers and alumni, for which we are extremely grateful.
Read on to find out how ARTiculation has grown and to hear about some of our highlights so far.
ARTiculation was established 10 years ago by Madeline Bessborough, Director of New Art Centre and Lucy Salisbury, Head of Roche Court Educational Trust in partnership with the Head of History of Art at Winchester College, Laurence Wolff. Originally the competition was conceived as a tribute to the Art Historian Kenneth Clark, in honour of his commitment to the study and promotion of the arts. The ARTiculation Prize has been designed to give young people a forum in which they are able to express their own ideas on art.
In 2006 several local schools were invited to Roche Court to deliver their ARTiculation presentations to an audience of their peers and an adjudicator. Three years later ARTiculation partnered with the University of Cambridge and became a national competition. The Finals take place at Clare College, Cambridge where adjudicators have included Antony Gormley, Hannah Rothschild, Jon Snow and Edmund de Waal.
Every year we work with over 50 museums, galleries, universities and arts associations to develop ARTiculation. Around 4,000 young people a year take part in 10 regions in England, four in Scotland and four in Ireland. ARTiculation Italy was launched in partnership with the British Council in 2016.
Working closely with our partners, sponsors and universities, the ARTiculation outreach programme introduces new schools to the competition. As a result of our outreach programme, an equal balance of state maintained and independent schools take part throughout the competition and ARTiculation is recognised as a level playing field for young people to take part on.
ARTiculation is well placed to highlight Higher Education and career opportunities to students. We instigate opportunities for young people to talk to universities about the admission process, to gain work experience in arts organisations and to talk to professionals about career pathways. Students use ARTicualtion to support their A-Levels, Personal Statements, C.V., EPQ Awards, Arts Awards and Duke of Edinburgh Awards.
University admission tutors and exam moderators recognise ARTiculation for the rigorous research, communication and presentation skills that it represents.
ARTiculation was recognised in the national media when the competition was made the subject of the BBC’s Culture Show presented by Alistair Sooke. ARTiculation students are invited to present at History of Art conferences, teachers events and in magazines and journals because ARTiculation is recognised for representing the voice of articulate, thoughtful young people.
We are continuously evolving. ARTiculation is introduced to pupils at a younger age through Discover ARTiculation, we are extending the competition to underrepresented areas to include the East Midlands, we are providing more resources and workshops to support teachers and students and we are working with partners to raise the profile of art in schools.
We are proud of our ARTiculation Alumni who tell us how their participation in ARTiculation allowed them to seek new opportunities and develop their ideas about studying arts subjects. We work to find opportunities for ARTiculation young people such as work experience in arts organisations, presenting their talks at conferences and developing their presentations into written articles.
In December 2016 we launched the ARTiculation Alumni Network at an event in London. It was a fantastic evening where alumni from the past 10 years of ARTiculation gathered.
The ARTiculation blog is a place for alumni to share their experiences, their practice, ideas and opinions.
If you have taken part in ARTiculation, please get in touch to join our network of young people interested, or involved, in the arts.
Molly Nickson from Townley Grammar won first place in 2013, said:
It was ARTiculation which helped to settle me on the track of studying History of Art at university. I’m now in my first year at Oxford, having taken a fine art foundation course. I’m enjoying my course for its broad-minded approach and the emphasis placed on looking and describing; it’s also a subject in which your opinion is challenged at literally every turn.
Izzy Tennant from Bury St Edmunds County Upper School won first place in 2012, said:
For me, ARTiculation was a really important catalyst for thinking about art and politics together. The relationship, and often non-relationship, between making and theory are incredibly complicated and endlessly fascinating. For this reason I chose to study a joint honours degree in Fine Art and History of Art at Goldsmiths University as opposed to either one or the other. This is one of the best decisions I have made.
Adjudicators contribute their time to the initiative and provide feedback and support to ARTiculation students. Adjudicators to date have been:
|David Batchelor, Artist (2015)||Kate Brindley, as Director, Arnolfini (2015)||Pablo Bronstein, Artist (2016)|
|Elizabeth Brooks, Philanthropist – arts, youth and social exclusion (2016)||Dr Christopher Brown, as Director of the Ashmolean (2011)||Katrina Brown, as Director, The Common Guild (2016)|
|Lord Burlington, Founder of Lismore Castle Arts (2016)||Dr Caroline Campbell, as Curator of Italian Paintings, the National Gallery (2016)||Kate Carreno, as Assistant Director of The Fitzwilliam Museum (2012)|
|Nigel Carrington, as Rector of University of the Arts, London (2011)||Ruth Claxton, Artist||Prof. Richard Clay, as Senior Lecturer in History of Art, University of Birmingham (2015)|
|Nathan Coley, Artist (2015)||Dr Jill Cook, as deputy Keeper, Department of Britain, Europe & Prehistory, British Museum (2014, 2016)||Michael Craig-Martin, Artist & Emeritus Professor of Fine Arts, Goldsmiths (2011)|
|Dorothy Cross, Artist (2015)||Dr Penelope Curtis, as Director, Tate Britain (2015)||Edmund de Waal OBE, Artist (2008 and 2014)|
|Ian Dejardin, as Director of Dulwich Picture Gallery (2010)||Dr Stephen Deuchar, as Director of The Art Fund (2012)||William Feaver, Writer and Critic (2013)|
|Stephen Feeke, as Director, New Art Centre (2015)||Laura Ford, Artist (2013)||Sir Christopher Frayling, Educationalist and Writer (2011)|
|Allegra Galvin, as Director, Quarterhouse (2016)||Sarah Glennie, as Director, Irish Museum of Modern Art (2016)||Will Gompertz, BBC’s Arts Editor (2016)|
|Antony Gormley, Artist (2010)||Dr Louise Govier, as Salisbury Arts Festival Director (2010)||Simon Grant, as Editor, Tate Etc (2015)|
|Alun Graves, as Senior Curator, Ceramics and Glass, Victoria and Albert Museum (2016)||Sarah Griffin, Curator (2012)||Graham Gussin, Artist (2013)|
|Dr Jennifer Harris, as Deputy Director, the Whitworth (2016)||Prof. Abigail Harrison-Moore, as Head of Art History and Museum Studies, University of Leeds (2012, 2013)||Michael Harrison, as Director Kettle’s Yard (2010)|
|Sharon Heal, as Director, Museums Association (2016)||Margot Heller, as Director of the South London Gallery (2013)||Paul Hobson, as Director of Modern Art Oxford (2014)|
|The Bishop of Salisbury, the Right Reverend Nicholas Holtam (2013)||Prof. Deborah Howard, Architectural History University of Cambridge (2011)||Mahtab Hussain, Artist (2016)|
|Nicola Kalinsky, as Director of The Barber Institute of Fine Art (2014)||Deborah Kermode, as Deputy Director, IKON Gallery (2016)||Tim Knox, as Director of The Fitzwilliam Museum (2014)|
|Helen Legg, as Director, Spike Island (2016)||Tim Llewellyn OBE,as Chairman of the Trustees of the Burlington Magazine Foundation (2013)||Jenni Lomax, as Director, Camden Arts Centre (2016)|
|Doris Lockheart, Journalist and collector (2006)||Andrew Nairne, as Director of Modern Art Oxford (2007) and as Director Kettle’s Yard (2013)||Brigitte Orasinski, Artist (2012)|
|Simon Periton, artist (2016)||Dr Terry Perk, as Course Leader for MA Fine Arts at UCA Canterbury (2014)||Victoria Pomeroy, as Director of the Turner Contemporary (2013)|
|Dr Robin Price, as Formerly Head of French then Head of Drama at Winchester College (2014)||Joanna Pitman, Author and Journalist (2016)||Andrea Rose, OBE CMG, art historian and as former Director of Visual Arts at the British Council (2014, 2016)|
|Duncan Robinson CBE, as Master of Magdalene College (2009)||Andrea Schlieker, as curator of The Folkestone Triennial 2011 (2012)||Jon Snow, Journalist (2012)|
|Alastair Sooke, Journalist and Writer (2013, 2015)||Sarah Staton, artist and as Senior Tutor in Sculpture, School of Fine Art, Royal College of Art (2015)||Dr Alexander Sturgis, as Director, Ashmolean Museum of Art and Archaeology (2015)|
|Abraham Thomas, as Director, Sir John Soane’s Museum (2015)||Sam Thorne, as Artistic Director, Tate St. Ives (2016)||Alastair Upton, as Chief Executive, Creative Foundation, Folkestone (2014)|
|Dr Caroline Vout, as Reader in Classics, University of Cambridge (2015)||Simon Wallis, Director The Hepworth Wakefield (2013)||Jonathan Watkins, as Director of the IKON Gallery (2012)|
|Bill Woodrow, Artist (2007)||Godfrey Worsdale OBE, as Director, The Henry Moore Foundation (2016)||Greville Worthington, as Chairman of the Trustees of Yorkshire Sculpture Park (2015)|
ARTiculation relies on support from private donations, trusts and foundations. We are extremely grateful for their support which has been instrumental in ARTiculation’s development.
In 2017 ARTiculation events in England will be held in partnership with these museums and galleries
We work with Universities to host ARTiculation workshops. We train undergraduates so that they can support the workshops and mentor ARTiculation students.
The following Universities have exhibited at the ARTiculation University Fair